So essentially, you’re only having to move a couple of fingers to get from chord to chord. Note: the B in B-D-G is played below (to the left) of the C note you’re playing. So let’s use C Major in root position and play F Major in 2nd inversion and G Major in 1st inversion. So what do you do? We use chord inversions and different voicings to play chords in a way where our hand doesn’t have to move around much. If you play that on your piano, you’ll notice that your hand has to move a pretty long distance between chords. Here are the chords you’d play in root position: You do that by using common tones across your chords What’s that mean? Say you want to play a I-IV-V-I in C Major. Basically, you want to minimize the movement between chords so everything sounds nice and smooth, instead of jarring. One important (but advanced) idea we should mention on the topic of chord progressions is voice leading when you’re transitioning between chords. Pick a scale (like C Major) and practice the above piano chord progressions – you’ll quickly notice that you’re basically playing music! Hell you could even sing over top of a simple chord progression like the ones above, and be done with your very own song! Voice Leading I/iii means to play the I chord with a iii note as the bass Circle Chord ProgressionsĪ circle chord progression is one where each successive chord seems to naturally flow from the previous chord. Major Scale ProgressionsĮxperiment with both major and minor keys with the following chord progressions. Once you’re comfortable with these progressions, you can try creating your own with our advanced tips below. They’re a great starting point, but always experiments with rhythms, chord qualities and chord voicings to put your own twist on them. We’ll go over them in this section.īut they aren’t the only ways to put chords together. There are a few more piano chord progressions that you’ll find used in music over and over again – because they work. I – V – VI – IV (common pop music progression).We’ll give you the structure of the progressions below, but you’ll have to pick a scale to play in and figure out the proper chords yourself! All of these can be played in any key on the piano. Now that you know how everything works, here are the most common chord progressions you’ll hear in western music. But there are a few common ones that you should be familiar with. There are a bunch of different combinations of chords you could use to build a progression – it’s limitless. Once you become advanced, you’ll be able to dip in and out of various scales to form complex chord progressions. You’ll notice that they sound like they fit together. Try playing those chords one after the other. So in C Minor the chords you can use are: From there, the 4th and 5th notes will be minor chords and the 6th and 7th notes will be major chords. If you’re in a minor scale, the 1st chord will be minor, the 2nd is diminished and the 3rd is major. So if you’re finding a chord progression in C Major, you can use the following chords together and they’ll sound good together: What’s that mean? If you’re in a major scale, the 1st note is a major chord, the 2nd and 3d chords are minor, notse 4 and 5 are major, while note 6 is a minor. If the number is NOT capitalized (ex/ vi) the chord should be MINOR. And if the number is capitalized (ex/ III) it means the chord will be MAJOR. It uses Roman numerals to denote the scale degrees. That’s just a fancy phrase that means “in a particular scale, these are the chords you should use for each note in the scale.” When you’re first starting out with playing chord progressions, it’s important to know about diatonic harmony. If you understood the “quick refresher” above you can skip this section.
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